Abstract
There is my developing experience as a painter going blind which is unusual and interesting and as you know I am interested in that. But I am equally interested, possibly more interested in a conception of what figurative art can be as a way of mining new experience and in some sense or other recording it so it's communicable. Now essentially all my drafts [of this paper] are trying to put those two together and it seems at first like a paradox, but it's a paradox that I think I can perfectly resolve⋯ and it's what I want to do⋯ the third element which is very hard to separate from the other two, is the perceptual learning applied to the perceptual systems, made possible through consciousness⋯ That does require an analysis to do with things to do with the anatomy of the eye and the brain, which most people haven't got a clue about but which is absolutely crucial.
Original language | English |
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Pages (from-to) | 265-279 |
Number of pages | 15 |
Journal | Art and Perception |
Volume | 4 |
Issue number | 4 |
DOIs | |
Publication status | Published - 24 Jan 2016 |
Keywords
- Vision
- art
- art history
- blindness
- painting
- perception