Transitional Arcades. Spatial Observations Between Italy and Wales: A Phenomenological Approach

This study uses a phenomenological paradigm to study arcades between Wales and Italy to understand the evolution and direction of these public spaces/places and provide a framework to examine the bodily relationship between the urban role of arcades and galleries. The paper reviews the state-of-the-art and historiography of the architecture investigated, reviews the literature and its origins, and discusses a phenomenological and philosophical approach. The paper suggests that the intangible dimension of existence and experience is the key to understanding these places. By examining how we experience and perceive them, we can better understand their role in shaping our built environment and cultural heritage through time. Through the lens of phenomenology, we can gain insight into their historical context and better understand their intrinsic spirit. Furthermore, to contextualise the identity and spatial aspects of arcades, we draw upon the theorists M. Augé, T. Boettger, C. N. Schulz, W. Benjamin, and B. Rudofsky, as well as artistic reflections on Futurism and Cubism. The paper also questions whether traditional arcades have lost their intrinsic value of place or has their spirit of place has been transmogrified into a non-place through globalisation. Overall, the paper offers a rich and nuanced perspective on the cultural and historical significance of arcades, galleries, and porticos.