Biting Machine, a Performance Art Experiment in Human- Robot Interaction

Paul Granjon

Biting Machine, a Performance Art Experiment in Human- Robot Interaction

Paul Granjon

Ysgol Gelf a Dylunio Caerdydd

Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Cyfraniad mewn cynhadledd › adolygiad gan gymheiriaid

Crynodeb

The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, methods and context for the Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys’ I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as a series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys’ piece.

Iaith wreiddiol	Saesneg
Teitl	Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney
Golygyddion	K. Cleland, L. Fisher, R. Harley
Cyhoeddwr	ISEA International Australian Network for Art & Technology University of Sydney
Tudalennau	1-4
Nifer y tudalennau	4
Statws	Cyhoeddwyd - 1 Meh 2013
Digwyddiad	19th International Symposium on Electronic Art, ISEA2013, Sydney - Sydney, Awstralia Hyd: 11 Meh 2013 → 13 Meh 2013

Cynhadledd

Cynhadledd	19th International Symposium on Electronic Art, ISEA2013, Sydney
Gwlad/Tiriogaeth	Awstralia
Dinas	Sydney
Cyfnod	11/06/13 → 13/06/13

Mynediad at Ddogfen

http://hdl.handle.net/2123/9698Trwydded: Free Access

Dyfynnu hyn

@inproceedings{71593fb3b327489fab8cfe935f35ae1a,

title = "Biting Machine, a Performance Art Experiment in Human- Robot Interaction",

abstract = "The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, methods and context for the Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys{\textquoteright} I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as a series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys{\textquoteright} piece.",

keywords = "performance, machinic life, arts, robot, artificial intelligence",

author = "Paul Granjon",

note = "Please reference as: Granjon P. (2013) Biting Machine, a performance art experiment in human-robot interaction in Cleland, K., Fisher, L. \& Harley, R. (Eds.) Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. http://ses.library.usyd.edu.au/handle/2123/9475; 19th International Symposium on Electronic Art, ISEA2013, Sydney ; Conference date: 11-06-2013 Through 13-06-2013",

year = "2013",

month = jun,

day = "1",

language = "English",

pages = "1--4",

editor = "K. Cleland and L. Fisher and R. Harley",

booktitle = "Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney",

publisher = "ISEA International Australian Network for Art \& Technology University of Sydney",

}

Granjon, P 2013, Biting Machine, a Performance Art Experiment in Human- Robot Interaction. yn K Cleland, L Fisher & R Harley (gol.), Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. ISEA International Australian Network for Art & Technology University of Sydney, tt. 1-4, 19th International Symposium on Electronic Art, ISEA2013, Sydney, Sydney, Awstralia, 11/06/13. <http://hdl.handle.net/2123/9698>

Biting Machine, a Performance Art Experiment in Human- Robot Interaction. / Granjon, Paul.
Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney. gol. / K. Cleland; L. Fisher; R. Harley. ISEA International Australian Network for Art & Technology University of Sydney, 2013. t. 1-4.

Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Cyfraniad mewn cynhadledd › adolygiad gan gymheiriaid

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N1 - Please reference as: Granjon P. (2013) Biting Machine, a performance art experiment in human-robot interaction in Cleland, K., Fisher, L. & Harley, R. (Eds.) Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. http://ses.library.usyd.edu.au/handle/2123/9475

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N2 - The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, methods and context for the Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys’ I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as a series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys’ piece.

AB - The author is a performance and visual artist whose interest lies in the co-evolution of humans and machines, a subject he explores with self-made machines. The paper describes the aims, methods and context for the Biting Machine, a performance art experiment in human-robot interaction loosely based on Joseph Beuys’ I Like America and America Likes Me (1974) where the artist shared a space for several days with a wild coyote. Biting Machine will be delivered as a series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys’ piece.

KW - performance

KW - machinic life

KW - arts

KW - robot

KW - artificial intelligence

M3 - Conference contribution

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BT - Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney

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T2 - 19th International Symposium on Electronic Art, ISEA2013, Sydney

Y2 - 11 June 2013 through 13 June 2013

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